Works

2025

La Gravité des Racines

How to escape without leaving

Roots anchor us. Gravity holds us back. Between these forces we find both stability and tension, connection and weight. This exhibition is a reflection on that balance — how we are tied to our origins, to history, to the earth, while being continually shaped by invisible forces that mold our existence. The works in these pages (paintings and sculptural installations) explore the relationship between anchoring and movement, past and present, permanence and change.

In my creative process I worked with materials that evoke these forces — earth tones, organic textures, massive forms defying weight, and lighter forms that nevertheless feel rooted. Each piece is a meditation on belonging, resistance, and surrender.

This series speaks not only of physical roots or gravitational pulls, but also of the invisible forces that shape us — personal, cultural, elemental. I invite you to walk through these works with your own sense of weight and anchoring — to feel what holds you, and what sets you free.

My roots run deep

My roots run deep
In rich, anchored soil,
Tangled with stories and memories.
They plunge into the past,
Weave through generations that came before me
And nourish the present I live in.

They carry within them
The strength of my ancestors —
Their traditions, their hopes and their struggles.
They are made of the voices of my elders,
Of their fireside tales,
Of their hands that cultivated, protected, built.
They are steeped in the landscapes
That watched my family grow,
The scents that perfume the nights,
The songs that ring out as melodies.

My roots run deep
But they do not hold me prisoner.
They give my steps their strength,
The steadiness I carry within,
So I may explore other places
Without ever losing myself out there…

For wherever I go, I carry with me
This earth, these memories, these ways.
And even if the wind of life
Drives me far from here,
I know my buried roots
Will stay in that precise place —
Reminding me always
Where I come from —
Who I am.

Time lost, so much regained

Time lost
So much regained —
Impossible to pierce
Where it began.
Its origin
Its roots
Its identity…
One moment it is dark,
The next aglow —
But so often
it has slipped away too fast.

Invisible imprint

We walk lightly on paths of shadow,
Drawn despite ourselves by an echo of dusk,
A nameless thread that binds and sinks us,
Captive of an imprint with countless contours.

Tied to the earth as to the breath of the wind,
We carry the imprint no one feels,
A relic of yesterday, an ever-present whisper,
Etched beneath the skin, a marking silence.

It guides our steps without ever showing itself,
An ineffable trace beneath our leaning souls,
Like a root hidden under the bark,
Invisible force in entwined chains.

Caught by the pull of the first clay,
We seek forgetfulness in shadow and stone —
But the imprint remains, subtle and whole,
Marking our souls with a seal of light.

Flight without flight

To be able to fly away
For the length of an image
Above the clouds
Above ideas
To erase thoughts ;
For an instant
To soar above time.

Beneath the spreading shadow

Beneath the spreading shadow,
The canvas waits.
A drop sets off.
It is gravity that paints and dances.
It glides, quivering,
Stretches into rivers,
Traces lightning,
Bursts into shards.
Each pearl splashes,
Draws layers
Of a liquid dream
In shades of lilac.
It paints without a brush,
Without sound or chaos.
It sculpts and shapes,
It needs no one
To reveal
The secret
The universe hums to it —
It creates without end
A poem of satin.

Running in circles

We run in circles,
drunk on flight without flight,
longing for elsewhere,
without ever leaving here.

Endless thread

The thread stretches taut,
swaying under the pull
of invisible forces.

Words of wounds

The words written by time ;
No time
While the present moment
Rests
In pause.

We set down a future compromise
We never promised.
The words of the wounds we live,
The wounds we feel,
Words written in blood
With no way out !

But we find our way out ;
A fate of endless life
That never finishes
Ever
But never stops turning
From one to the next —
A leap toward some,
To save the others.

The shadow that knows

The shadow that knows keeps watch, a guardian abandoned.
Intense trance of being and appearing, torn between shadow and dream,
echoes of our becoming resistance, hesitating between being and not — the light.

In the waiting where everything unwinds,
The shadow that knows whispers and passes.

To be or not to appear

Are we made and unmade ?
Steeped in reflections ?
Are we only a reflection
Without affirmation ?
Time embraces and folds,
Pierces with the tip of its abolished minutes.
A space that passes
Over a surface, then dies.
Breaks become fissures
So that everything reassures us
For the space of a frame.
Transparencies in trance
Of intense revelations.

Rays in transparency

Rays in transparency —
A dance of decadence.
We hear without speaking
The words colliding.
We try to gather
Our thoughts gone aloft,
Like those few sparrows still here
Who repeat without end ;
Our extreme feelings
To forget ourselves anyway.

The deeper the silence

The deeper the silence,
the louder the noise.

Eternal rooted

In each of us a cry resounds
Tied to the pain of a wounded land.
It is identity —
It is existence —
It is far more than belonging.
It is the shocks she has borne and her suffering.
She is born in you,
And in her you come to life.

— Randa Ali Ahmad

Les racines nous ancrent
Les racines nous ancrent120 × 120 cm
Racines de lumière
Racines de lumière100 × 100 cm
Empreinte invisible
Empreinte invisible120 × 120 cm
Envol sans Vol
Envol sans Vol130 × 90 × 90 cm
Tourner en rond — 01
Tourner en rond — 01150 × 150 cm
Tourner en rond — 02
Tourner en rond — 02150 × 150 cm
Tourner en rond — 03
Tourner en rond — 03150 × 150 cm
Tourner en rond — 04
Tourner en rond — 04150 × 150 cm
Tourner en rond — 05
Tourner en rond — 05150 × 150 cm
Tourner en rond — 06
Tourner en rond — 06150 × 150 cm
Fil sans fin — 01
Fil sans fin — 01120 × 120 cm
Fil sans fin — 02
Fil sans fin — 02120 × 120 cm
Fil sans fin — 03
Fil sans fin — 03120 × 120 cm
Fil sans fin — 04
Fil sans fin — 04120 × 120 cm
Échos enchevêtrés
Échos enchevêtrés145 × 240 cmPrice on request
Le sens du chemin dans les aiguilles du temps
Le sens du chemin dans les aiguilles du temps145 × 225 cmPrice on request
Temps perdu, Temps retrouvé
Temps perdu, Temps retrouvé240 × 140 cm
Attirance à l'Appartenance
Attirance à l'Appartenance77 × 88 × 55 cmPrice on request
Perpétuelle incandescence
Perpétuelle incandescence200 × 140 cmPrice on request
L'inaliénable
L'inaliénable200 × 140 cmPrice on request
L'ombre qui sait, murmure et passe
L'ombre qui sait, murmure et passe200 × 60 × 60 cm
Résilience de l'âme
Résilience de l'âme220 × 180 × 150 cmPrice on request
Illusion d'exil
Illusion d'exil100 × 135 × 5 cm
Gardien des songes
Gardien des songes120 × 120 cm
L'ombre qui sait
L'ombre qui sait120 × 120 cm
Plus le silence est profond, plus le bruit est fort
Plus le silence est profond, plus le bruit est fort200 × 100 cmPrice on request
Éternel enraciné
Éternel enraciné100 × 100 cmPrice on request
Au fil du temps — Étude I
Au fil du temps — Étude I120 × 120 cm
Au fil du temps — Étude II
Au fil du temps — Étude II120 × 120 cm
Au fil du temps — Étude III
Au fil du temps — Étude III120 × 120 cm
Au fil du temps — Étude IV
Au fil du temps — Étude IV120 × 120 cm
Au fil du temps
Au fil du temps225 × 145 cm · 2024Price on request
Au fil du temps — Étude V
Au fil du temps — Étude V120 × 120 cm
2019

De Pli en Pli

“When life is a forest, each day is a tree. When life is a tree, each day is a branch.” — Jacques Prévert

Like a poem by Prévert

When life is a branch, each day is an exchange.
When life is an exchange, each day is a difference.
When life is a difference, each day is a nuance.
When life is a nuance, each day is iridescent.
When life is iridescent, each day is a reflection.
When life is a reflection, each day is an image.
When life is an image, each day is a journey.
When life is a journey, each day is a passage.
When life is a passage, each day is a path.
When life is a path, each day leads far.

— Randa Ali Ahmad

De Pli en Pli

To rust : to deteriorate, corrode, gnaw, lose suppleness, lose one's capacities.
To make rusty : to oxidize.
Rusted state : an unhealthy state.

And such is the state of things. The cracks and corrosions around us, in every corner, recall the ephemeral debris of catastrophes piled high.

Anxiety has become habitual, ordinary, in our world. How can it be understood ? How can it be justified ? How to make it comprehensible ? Acceptable ? How to join one part to another while allowing their relative movement ?

Our world is made of many filtered layers ; and these filters reflect and reveal the multiple faces of our current state. All of this manifests in our acts, in our way of seeing, of listening, of communicating — through images, objects, movements… Our physical and visual manifestation.

Live the instant, savor the moment
Or else time will take us
And we are rusted instantly.
It is the present moment —
Which counts essentially
In order to live intensely.

— Randa Ali Ahmad

Quand la vie est une forêt, chaque jour est un arbre
Quand la vie est une forêt, chaque jour est un arbre150 × 250 cm
Quand la vie est un arbre, chaque jour est une branche
Quand la vie est un arbre, chaque jour est une branche150 × 250 cm
Quand la vie est une branche, chaque jour est un échange
Quand la vie est une branche, chaque jour est un échange250 × 150 cm
Quand la vie est un échange, chaque jour est une différence
Quand la vie est un échange, chaque jour est une différence250 × 150 cm
Quand la vie est une différence, chaque jour est une nuance
Quand la vie est une différence, chaque jour est une nuance250 × 150 cm
Quand la vie est une nuance, chaque jour est irisé
Quand la vie est une nuance, chaque jour est irisé250 × 150 cm
Quand la vie est irisée, chaque jour est un reflet
Quand la vie est irisée, chaque jour est un reflet250 × 150 cm
Quand la vie est un reflet, chaque jour est une image
Quand la vie est un reflet, chaque jour est une image250 × 150 cm
Quand la vie est une image, chaque jour est un voyage
Quand la vie est une image, chaque jour est un voyage150 × 250 cm
2015

Plein Soleil

Plein Soleil — bubbles, jasmine and light.

Life is but a breath

Life is but a breath
An ephemeral breath.
When the breath is good,
Life is light
And things grow gentle…
And they will dazzle you
To intoxicate without reason.

The sun, the stars around you,
The sky and its brightness.
The air, the sea
And the greening of the earth…
Immortality, you see,
Is only a dream, a fancy…

And it is near the water and the flowers
That I best understood life.

— Randa Ali Ahmad

Délicieuse surprise
Délicieuse surprise120 × 120 cm
Éblouissement
Éblouissement120 × 120 cm
J'ai en moi la lumière du soleil
J'ai en moi la lumière du soleil120 × 120 cm
T'en souvient-il ?
T'en souvient-il ?120 × 120 cm
Pourquoi voulez-vous qu'il m'en souvienne ?
Pourquoi voulez-vous qu'il m'en souvienne ?200 × 100 cm
Le temps n'est plus le même
Le temps n'est plus le même200 × 100 cm
Prenez tout et laissez-moi l'extase
Prenez tout et laissez-moi l'extase120 × 120 cm
Émerveillée
Émerveillée60 × 60 cm
Hypnotisée
Hypnotisée60 × 60 cm
Charmée
Charmée60 × 60 cm
Pour attraper les bulles 01
Pour attraper les bulles 0160 × 60 cm
Effet raisins
Effet raisins150 × 150 cm
Rêves dans les bulles
Rêves dans les bulles120 × 120 cm
Pour attraper les bulles 02
Pour attraper les bulles 0260 × 60 cm
De bulle en bulle 01
De bulle en bulle 0160 × 60 cm
De bulle en bulle 02
De bulle en bulle 0260 × 60 cm
De bulle en bulle 03
De bulle en bulle 0360 × 60 cm
De bulle en bulle 04
De bulle en bulle 0460 × 60 cm
De bulle en bulle 05
De bulle en bulle 0560 × 60 cm
De bulle en bulle 06
De bulle en bulle 0660 × 60 cm
De bulle en bulle 07
De bulle en bulle 0760 × 60 cm
De bulle en bulle 08
De bulle en bulle 0860 × 60 cm
De bulle en bulle 09
De bulle en bulle 0960 × 60 cm
Un ailleurs ici-même
Un ailleurs ici-même200 × 200 cm
M'as-tu vu ?
M'as-tu vu ?200 × 100 cm
Un peut-être dans le jamais
Un peut-être dans le jamais120 × 120 cm
De l'aube
De l'aube200 × 100 cm
Les yeux fermés
Les yeux fermés120 × 120 cm
Au crépuscule
Au crépuscule200 × 100 cm
2013

Rising: The Only Way is Up

Rising — The Only Way is Up. To rise.

Seeing from the other side

To rise vertically…
Would be ideal…
But why climb,
Climb, always climb ?
Why not…
Do what others
Do not allow themselves ?
Why not live a moment on the landing…
Take time, and forget it…
Sit down and let them go by…
Let all those people pass, too busy
Shoving each other, climbing
The thousand stairs.

Walk with the wind, with the earth, walk…
On a wooded ground…
With a joy of living and an indescribable freedom…

Then I will go down those stairs
And I will open the great door…
And with the wind I will play —
For I have the choice
That others do not have…
Because I am not afraid
Of breaking from the mold and the laws…

Thinking differently — is it senseless ?
I have all the time to climb…
In any case I do not have the key…

Walking on foot

… Walking on foot…
Those sensations rediscovered…
To be in full nature…
And walk,
Walk, hard…
Just for the pleasure of being able to stop…
And then the halt…
Stillness rediscovered…
The tension (of effort) suddenly released
… like an unbent bow…
Savoring this nature…
Breathing in the pure air…

— Randa Ali Ahmad

Time to change the road you're on
Time to change the road you're on200 × 140 cm
Two paths you can go by — 1
Two paths you can go by — 1200 × 140 cm
Two paths you can go by — 2
Two paths you can go by — 2200 × 140 cm
Can you hear the wind blow
Can you hear the wind blowMixed media
Whispering Winds
Whispering Winds100 × 200 cm (chaque)
Your stairway lies on the whispering wind
Your stairway lies on the whispering wind150 × 150 cm
Cornucopia 01
Cornucopia 0160 × 60 cm
Cornucopia 02
Cornucopia 0260 × 60 cm
Cornucopia 03
Cornucopia 0360 × 60 cm
Cornucopia 04
Cornucopia 0460 × 60 cm
Cornucopia 05
Cornucopia 0560 × 60 cm
Cornucopia 06
Cornucopia 0660 × 60 cm
Cornucopia 07
Cornucopia 0760 × 60 cm
Cornucopia 08
Cornucopia 0860 × 60 cm
Cornucopia 09
Cornucopia 0960 × 60 cm
Voices of those who stand looking
Voices of those who stand looking140 × 200 cm
She is buying her stairway to heaven
She is buying her stairway to heaven100 × 200 cm
Forests will Echo with Laughter
Forests will Echo with Laughter140 × 200 cm
There's a lady who's sure all that glitters is gold
There's a lady who's sure all that glitters is goldMixed media · 207 × 100 × 100 cm
When all are one and one is all
When all are one and one is allMixed media · 120 × 52 × 200 cm
You reap what you sow
You reap what you sowMixed media · 160 × 50 × 50 cm
Work by Randa Ali Ahmad
Work by Randa Ali Ahmad
Work by Randa Ali Ahmad
2012

Arab Spring — Printemps Arabe

Arab Spring — Printemps Arabe.

Values

Every day we are faced
With very hard realities…
Now everything has changed…
Values in people…
No longer make any sense —
Whether through rebellion,
Through revolt…
To reach a better rank or status
We push and push…
The route doesn't matter…
We leap over every trial…
The essential is to arrive…
We set everything aside…
The principles of conduct
And shared judgment…
Within our society…
Moral values…
Of right and wrong…
Pass, pass…
Everyone, in order to arrive…
The rest becomes trivial…
Fate or chance ?

Can I tell you a secret
Can I tell you a secret120 × 120 cm
Operating room
Operating room200 × 100 cm
Keep the bulls market
Keep the bulls market200 × 100 cm
Let the bulls out
Let the bulls out200 × 100 cm
In the aftermath of death… life
In the aftermath of death… life150 × 150 cm (chaque)
Chaos
Chaos150 × 150 cm
2010

Yesmine

Yesmine — a strange effect, the scent of jasmine.

Yesmine

A strange effect — the scent of jasmine plunges us into a world of bliss. A living world where jasmine is part of everything, giving us a sense of lightness as if we were walking on air. A world where there is no longer any separation between us and the flowers. These flowers become us, and we become these flowers. A world where time stops, where there is no longer past, future, or present… And where there are no longer any words.

Words limit, compare, and separate. Words cannot describe this state of ecstasy.

Yesmine 01
Yesmine 01120 × 120 cm
Yesmine 02
Yesmine 0260 × 60 cm
Yesmine 03
Yesmine 0360 × 60 cm
Yesmine 04
Yesmine 0460 × 60 cm
Yesmine 05
Yesmine 0560 × 60 cm
Yesmine 06
Yesmine 0660 × 60 cm
Yesmine 07
Yesmine 0760 × 60 cm
Yesmine 08
Yesmine 0860 × 60 cm
Yesmine 09
Yesmine 0960 × 60 cm
Yesmine 10
Yesmine 1060 × 60 cm
Yesmine 11
Yesmine 11100 × 200 cm
Yesmine 12
Yesmine 12120 × 120 cm
Yesmine 13
Yesmine 13100 × 200 cm
Yesmine 14
Yesmine 14100 × 200 cm
Yesmine 15
Yesmine 15100 × 200 cm
Yesmine 16
Yesmine 16120 × 120 cm
Yesmine 17
Yesmine 17200 × 120 cm
Yesmine 18
Yesmine 1860 × 60 cm (chaque)
Yesmine 19
Yesmine 1960 × 60 cm
Yesmine 20
Yesmine 20100 × 200 cm
Yesmine 21
Yesmine 21100 × 200 cm
Yesmine 22
Yesmine 22100 × 200 cm
Yesmine 23
Yesmine 23120 × 120 cm
Yesmine 24
Yesmine 2460 × 60 cm
Yesmine 25
Yesmine 2560 × 60 cm
Yesmine 26
Yesmine 2660 × 60 cm
Yesmine 27
Yesmine 27120 × 120 cm
Yesmine 28
Yesmine 28120 × 120 cm
Yesmine 29
Yesmine 29100 × 200 cm
Yesmine 30
Yesmine 30200 × 140 cm
Yesmine 31
Yesmine 31120 × 120 cm
Yesmine 32
Yesmine 32200 × 120 cm
2008

Ties — Liens

In Euphoria
In Euphoria120 × 120 cm
Forward motion
Forward motion60 × 60 cm
Forward Motion
Forward Motion60 × 60 cm
Comfortable
Comfortable120 × 120 cm
Sneaking
Sneaking110 × 110 cm
Hush Hush
Hush Hush120 × 120 cm
In complicity
In complicity200 × 100 cm
Before
Before60 × 60 cm
Bashful
Bashful100 × 200 cm
At ease
At ease200 × 140 cm
Gone
Gone200 × 140 cm
Looking
Looking120 × 120 cm
In the money
In the money120 × 120 cm
Shadows
Shadows100 × 100 cm
Envision
Envision120 × 120 cm
In the eyes
In the eyes120 × 120 cm
Nobody knows why
Nobody knows why100 × 200 cm
The traveler
The traveler100 × 200 cm
2007

Walk

Restless Waiting
Restless Waiting100 × 200 cm
Awaken
Awaken150 × 100 cm
In the bubble
In the bubble140 × 200 cm
Don't Talk
Don't Talk140 × 200 cm
Open Door 1
Open Door 1100 × 150 cm
Open Door 2
Open Door 2100 × 150 cm
Open Door 3
Open Door 3100 × 150 cm
It is not what you say it is
It is not what you say it is100 × 200 cm
How bad does it need to get
How bad does it need to get200 × 140 cm
Bright Lights — Red
Bright Lights — Red100 × 100 cm
Bright Lights — Orange
Bright Lights — Orange100 × 100 cm
Bright Lights — Green
Bright Lights — Green100 × 100 cm
Turn Away
Turn Away100 × 200 cm
Move On
Move On100 × 200 cm
Keep Walking 1
Keep Walking 160 × 60 cm
Keep Walking 2
Keep Walking 260 × 60 cm
Keep Walking 3
Keep Walking 360 × 60 cm
All Destinations
All Destinations120 × 120 cm
Let the sunshine in
Let the sunshine in150 × 100 cm
After the storm
After the storm200 × 140 cm
Shine
Shine120 × 120 cm
2007

What If

Olive on Red
Olive on Red120 × 120 cm
Cherry Blossom
Cherry Blossom120 × 120 cm
Fig Tree
Fig Tree120 × 120 cm
Olive Tree
Olive Tree120 × 120 cm
Tree of Joy
Tree of Joy200 × 140 cm
Trees 01
Trees 01200 × 140 cm
Trees 02
Trees 02200 × 140 cm
Trees 03
Trees 03110 × 170 cm
2004

Beings

Flower Power
Flower PowerMixed media · 125 × 35 × 40 cm
Angélique
AngéliqueMixed media · 120 × 80 × 80 cm
Evergreen
EvergreenMixed media · 140 × 45 × 40 cm
Allumeuse
AllumeuseMixed media · 139 × 35 × 33 cm
Farniente
FarnienteMixed media · 90 × 85 × 85 cm
Farniente
FarnienteMixed media · 90 × 85 × 85 cm
Passion
PassionMixed media · 137 × 57 × 60 cm
Work by Randa Ali Ahmad
Work by Randa Ali Ahmad
Work by Randa Ali Ahmad
Work by Randa Ali Ahmad
Work by Randa Ali Ahmad
2003

Le Temps des Grenades

À la recherche du temps perdu
À la recherche du temps perdu65 × 200 cm (chaque)
En bas
En bas140 × 200 cm
Entretemps
Entretemps140 × 200 cm
Tangibles
Tangibles120 × 120 cm
Tempête
Tempête120 × 120 cm
Tempête de Répit
Tempête de Répit150 × 100 cm
Tempo — 8 pièces
Tempo — 8 pièces40 × 40 cm (chaque)
Temps de rêve
Temps de rêve200 × 65 cm (chaque)
Tendance
Tendance150 × 100 cm
Tentation 01
Tentation 01120 × 120 cm
Tentation 02
Tentation 02120 × 120 cm
Tranche de Temps
Tranche de Temps90 × 60 cm (chaque)
2003

Exhibit

Anémones
Anémones100 × 150 cm
Cyclamens
Cyclamens120 × 120 cm
Coclico
Coclico120 × 120 cm
État de deux
État de deux120 × 80 cm (chaque)
Iris
Iris120 × 120 cm (chaque)
Pivoine
Pivoine150 × 150 cm
2001

Accrochage

L'attente
L'attente140 × 200 cm
Jeans 01
Jeans 01100 × 200 cm
Chemises
Chemises100 × 200 cm
Jeans 02
Jeans 02100 × 200 cm
Robe 01
Robe 01100 × 200 cm
Robe 02
Robe 02140 × 200 cm
Chemise 01
Chemise 01100 × 200 cm
Jeans 04
Jeans 04100 × 200 cm
Chemise 02
Chemise 02100 × 200 cm
Jeans 03
Jeans 03140 × 200 cm
2000

Poissons Rouges

Poisson Rouge 01
Poisson Rouge 0147 × 47 cm
Poissons Rouges 01
Poissons Rouges 0147 × 47 cm
Poisson Rouge 02
Poisson Rouge 0247 × 47 cm
Poissons Rouges 02
Poissons Rouges 0245 × 210 cm
Poisson
Poisson400 × 220 cm
Two Fish
Two Fish200 × 85 cm
Poisson Rouge 02
Poisson Rouge 02200 × 150 cm
1999

État des Roses

Exaltations 01
Exaltations 0121 × 91 cm (chaque)
Exaltations 02
Exaltations 0221 × 91 cm (chaque)
Roses
Roses150 × 200 cm
État de deux
État de deux101 × 71 cm
États de Roses
États de Roses90 × 60 cm
Plénitude
Plénitude70 × 170 cm
Transitions 01
Transitions 0191 × 121 cm
Transitions 02
Transitions 0291 × 121 cm
1996

In Spite of Everything

In Spite of Everything 01
In Spite of Everything 01
In Spite of Everything 02
In Spite of Everything 02
In Spite of Everything 03
In Spite of Everything 03
In Spite of Everything 04
In Spite of Everything 04
In Spite of Everything 05
In Spite of Everything 05
In Spite of Everything 06
In Spite of Everything 06
In Spite of Everything 07
In Spite of Everything 07
In Spite of Everything 08
In Spite of Everything 08
In Spite of Everything 09
In Spite of Everything 09
In Spite of Everything 10
In Spite of Everything 10
In Spite of Everything 11
In Spite of Everything 11
In Spite of Everything 12
In Spite of Everything 12
In Spite of Everything 13
In Spite of Everything 13
In Spite of Everything 14
In Spite of Everything 14
In Spite of Everything 15
In Spite of Everything 15
In Spite of Everything 16
In Spite of Everything 16
In Spite of Everything 17
In Spite of Everything 17
In Spite of Everything 18
In Spite of Everything 18
In Spite of Everything 19
In Spite of Everything 19
In Spite of Everything 20
In Spite of Everything 20
In Spite of Everything 21
In Spite of Everything 21
In Spite of Everything 22
In Spite of Everything 22
In Spite of Everything 23
In Spite of Everything 23
In Spite of Everything 24
In Spite of Everything 24
In Spite of Everything 25
In Spite of Everything 25
In Spite of Everything 26
In Spite of Everything 26
In Spite of Everything 27
In Spite of Everything 27
In Spite of Everything 28
In Spite of Everything 28
In Spite of Everything 29
In Spite of Everything 29
In Spite of Everything 30
In Spite of Everything 30
1995

Les Hommes du Café

Les hommes du café 01
Les hommes du café 0123 × 30.5 cm
Les hommes du café 02
Les hommes du café 0230 × 30.5 cm
Les hommes du café 03
Les hommes du café 0328 × 35.5 cm
Les hommes du café 04
Les hommes du café 0430.5 × 46 cm
Les hommes du café 05
Les hommes du café 0530.5 × 46 cm
Les hommes du café 06
Les hommes du café 0630.5 × 46 cm
Les hommes du café 07
Les hommes du café 0723 × 30.5 cm
Les hommes du café 08
Les hommes du café 0823 × 30.5 cm
Les hommes du café 09
Les hommes du café 0930.5 × 30.5 cm
Les hommes du café 10
Les hommes du café 1030.5 × 30.5 cm
Les hommes du café 11
Les hommes du café 1130.5 × 30.5 cm
Les hommes du café 12
Les hommes du café 1230.5 × 46 cm
Les hommes du café 13
Les hommes du café 1330.5 × 30.5 cm
Les hommes du café 14
Les hommes du café 1461 × 61 cm
Les hommes du café 15
Les hommes du café 1561 × 61 cm
Les hommes du café 16
Les hommes du café 1661 × 91 cm
Les hommes du café 17
Les hommes du café 1761 × 91 cm
Les hommes du café 18
Les hommes du café 1891 × 61 cm
Les hommes du café 19
Les hommes du café 1923 × 30.5 cm (chaque)
Les hommes du café 20
Les hommes du café 2012.5 × 20.5 cm (chaque)
Les hommes du café 21
Les hommes du café 2161 × 61 cm
1990

Accrochage 1990–1991

Cocoon
Cocoon61 × 91 cm
Van Gogh
Van Gogh61 × 91 cm
Les pas perdus
Les pas perdus150 × 150 cm
Memories
Memories91 × 61 cm
LA
LA91 × 61 cm
Dalí
Dalí61 × 91 cm
Triptique
Triptique31 × 46 cm (chaque)
Rosa nutkana
Rosa nutkana61 × 91 cm
Triptic
Triptic31 × 46 cm (chaque)
1988

Into the Light

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